
I finally got a chance to listen to most of the Fugees anthology last night on the long train ride back to Manchester. I got restless 1 hour into the journey and figured that listening to one of my less frequently played collections would take my mind off the misery of sitting in an over-heated train carriage for more than 3 hours as the weekend gave way for endless trudge of another day.
I love the Fugees, as a musical group. Together they were a trio of talented ground-breaking musicians who fused so many diverse forms of musical expression to create their own sound. They were never boring. Those guys did music like it was fun, as evidenced by their singles – they had remixes, and remixes of remixes which never turned up on their albums. Even when they did covers, they always put their own unique print on them, making the song their own without (in my opinion) disrespecting the original artist. One of my favourite lines from a Fugees song was,
“said I remember when we used to rock, in a project yard in Brooklyn
Observing the crookedness as it mingled with the good people we meet”
from their cover version of Bob Marley’s “No Woman No Cry”. That still one of my favourite songs ever. And of course, who can forget their famous cover of the Roberta Flack song, “Killing me Softly” which is one of the band’s biggest hits till date.
Prior to last night though, i had never sat down to listen to their entire discography, although i had played a number of songs at different times. Also, given the sheer volume of music on that iPod of mine (about 12,000 songs, my 60gb player is now full, and i'm needing to upgrade to the 80gig model) I’m sure you understand why there are songs in my library that i have never played. I finally got a chance to listen to most of the Fugees anthology tonight on the long train ride back to Manchester. I got restless 1 hour into the journey and figured that listening to one of my less frequently played collections would take my mind off the misery of sitting in an over-heated train carriage for more than 3 hours as the last hours of the weekend gave way for the new week to emerge.
I listened for 2 hours straight, and I was reminded why the Fugees were so successful during their brief time together. They had something going, between the Preacher’s Son Wyclef Jean’s slightly unusual rapping, (back in university a couple of friends called me the Lost Preacher’s Son for reasons I still cannot figure out) and Pras’ more conventional delivery, they had a good rap thing going. But Lauryn Hill was a star whose versatility gave them their unique character. Her voice was like an angel who had discovered a uniquely intoxicating human vice, she was virtue with an edge, and contributed a deep soul to the band’s music. Yet her rapping skills were equally incredible, and I make bold to say that she is one of the illest rappers that ever held a mic, regardless of gender or age. Add Wyclef’s production skills, and the Caribbean influences that were their heritage, and you had a winning sound. They had conscious rap when it wasn’t yet in vogue, they had fusions of hip-hop, reggae and soul in their albums when most albums were more monotonously themed. They were talented.
Those diverse influences remained in the bulk of their music even after they went solo. Wyclef’s debut Album “the carnival” showcased his ability to combine various genres, as did Lauryn Hill's epic debut “the miseducation of lauryn hill”. Remember that between them they managed to feature Celia Cruz, Aaron Neville, the Neville Brothers, Carlos Santana, D’Angelo, Mary J. Blige, John Legend (who did you think John Stevens was?) and John Forte, on albums that had rap, reggae, pop, soul and R & B stylings. Wyclef is still doing his thing, releasing albums featuring an arbitrary selection of artists, from Pink Floyd to Kenny Rogers, Youssou N'Dour, Mary J. Blige, Earth, Wind & Fire, Claudette Ortiz, Canibus, Patti Labelle and Missy Elliot. And that’s not an exhaustive list.
Sadly though, the music was not enough to keep the group together, and their differences eventually pushed them in different directions. Listening to their music lat night though, and getting caught up in the nostalgia of listening to their albums in the last years of my secondary school experience, I found myself thinking about what they would sound like today if they were still able to make music together. Reality tells me that it is not likely to happen however, based on my understanding of the complex relationships within the group. Even though they split up years ago, their personality differences are still present, as I observed during their reunion attempts/joint tour in 2005. Following their performances at Dave Chappelle’s Block Party, they embarked on a tour together, and they came to Manchester in late November (2005) for one night of musical magic.
They all but fought on stage, and
showed each other up at every step of the way. Pras and Lauryn jumped in ‘Clef’s face to perform the intro to Lauryn’s Lost Ones.
Its funny how money changes situations!
They repeated this several times, like a mantra, shooting dark stares at Wyclef, the most successful, and wealthiest, member of a trio of hip-hop superstars. Did they really have to go there? Wyclef apologised profusely for their late appearance on stage. they were about 30 minutes late, and I wasn’t mad, previously, during that same summer I had attended a Luryn Hill concert where a precedent had been set for the punctuality of Fugees members at their own concerts. She turned up 3 hours late, and offered no apology, other than a brief explanation that she “sometimes has trouble deciding what to wear”. We booed, but she didn’t care. She went on to deliver a performance almost powerful enough to earn a full forgiveness (i still love that woman). So Clef apologised for the band, but his pointed glances at his band mates left the audience in no doubt as to who was responsible for their tardiness.
Their performance was not quite stellar, they were rusty. Plus their conflicting individual egos refused to lay low. Wyclef had to plead with Pras and Lauryn (chastising them like errant children almost) to speak to the fans and engage with them. Lauryn shot him cold looks (if looks could kill, we would have been witnesses to a homicide), and Pras decided to sit at the back with the DJ while the other duo performed. I wondered if he was ill, or just bored.
Wyclef went into the crowd, dancing, rapping, engaging, talking to the guard and leaving his clothes behind, while the others stayed safely on stage. he entertained, and made the others look bad in doing so. Not fair. But you were left with no doubts as to why he is the most commercially successful of the trio in terms of personal projects and collaborations. His work might not have the artistic and critical weight that Lauryn’s carries, but he’s been consistent. (I love you so much Lauryn, but why are you keeping me waiting for your next gem?). I’d love love to see a Fugees reunion album now though. Now that they are so rich, maybe they’d just do music the way that they love it, the way that we know they’re capable of doing it – beautifully.
The Fugees did release a single at the time, but I suspect that that’s as far as things will go. Yes, there are rumours, but I’m not sure what can come out of them. But last night I was reminded why the Fugees were such a success. I listened to fugee-la, the score, don’t cry, dry your eyes, vocab, how many mics, ready or not, rumble in the jungle, and cowboys. I was transported to another time and place. My journey passed, and when my train pulled into the station at 1am, I didn’t even realise that time had passed. Music is such a blessing. I love the Fugees.